Glen Weldon

Glen Weldon is a regular panelist on NPR's Pop Culture Happy Hour podcast. He also reviews books and movies for NPR.org and is a contributor to NPR's pop culture blog Monkey See, where he posts weekly about comics and comics culture.

Over the course of his career, he has spent time as a theater critic, a science writer, an oral historian, a writing teacher, a bookstore clerk, a PR flack, a seriously terrible marine biologist and a slightly better-than-average competitive swimmer.

Weldon is the author of Superman: The Unauthorized Biography, a cultural history of the iconic character. His fiction and criticism have appeared in The New York Times, The Washington Post, The New Republic, The Atlantic, Slate, Story, McSweeney's, The Dallas Morning News, Washington City Paper and many other publications. He is the recipient of an NEA Arts Journalism Fellowship, a Ragdale Writing Fellowship and a PEW Fellowship in the Arts for Fiction.

The second season of Netflix's American Vandal dropped last Friday. The first season proved a slow-build, under-the-radar, word-of-mouth phenomenon; the second arrived to a devoted and vocal fanbase. Season one was something you started hearing about over the course of weeks and months, from disparate friends and family; full, spoilery reviews of season two were posted at 12:01:01 a.m. last Friday.

What if Merchant-Ivory ... but woke?

What if you took the sumptuous production design of A Room With a View or Howards End — all those bustles and corsets and dickeys and top hats, all those horse-drawn carriages and calling cards and country estates — and invested it with a new sense, and/or sensibility, of this our modern age?

I'll tell you what if. Wash Westmoreland's handsome, achingly well-intentioned and less than lively Colette, is what if.

In interviews, Maya Rudolph and Fred Armisen have said that what attracted them to the project that became Forever, a slyly surreal 8-episode series premiering on Amazon Prime today, was the prospect of telling a complete story about the same characters over or an extended period of time — and then dropping them.

As you read this, the NPR Movies team is settling into their seats in movie theaters across downtown Toronto. For the next week, we'll be sitting in those seats or ones very similar to them, in the dark, taking furious notes, as we each power through marathon sessions of movie-watching.

The cabin in the woods that Jules (Brittany Allen) and Jackie (Hannah Emily Anderson) head to for their one-year anniversary seems even more murder-y than your standard-issue cabin-in-the-woods, which is saying something. There's a shotgun hanging over the fireplace, a handy ax waiting by the woodpile, a nearby cliff just begging for someone to get pushed over its edge, and a deep, dark lake ideally suited to corpse disposal.

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