Kevin Whitehead
Kevin Whitehead is the jazz critic for NPR's Fresh Air with Terry Gross. Currently he reviews for The Audio Beat and Point of Departure.
Whitehead's articles on jazz and improvised music have appeared in such publications as Point of Departure, the Chicago Sun-Times, Village Voice, Down Beat, and the Dutch daily de Volkskrant.
He is the author of Play the Way You Feel: The Essential Guide to Jazz Stories on Film (2020), Why Jazz: A Concise Guide (2010), New Dutch Swing (1998), and (with photographer Ton Mijs) Instant Composers Pool Orchestra: You Have to See It (2011).
His essays have appeared in numerous anthologies including Da Capo Best Music Writing 2006, Discover Jazz and Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths.
Whitehead has taught at Towson University, the University of Kansas and Goucher College. He lives near Baltimore.
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A CD set from Mosaic, full of singles and albums made between '46 and '66, confirms the variety of Armstrong's studio sides — and shows how much work went into making them sound casual.
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Coleman, who died in 2015, had a knack for writing catchy melodies in a distinctive voice. Saxophonist Miguel Zenón loves Coleman's music and put together a quartet to play some.
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Though Andra Day plays the jazz legend with conviction, The United States vs. Billie Holiday fictionalizes the particulars of Holiday's life, where the real story is dramatic enough.
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Corea, who died Feb. 9, had a strong melodic sense and a crisp, distinctive touch at the keyboard. Looking back, it's easy to hear why he was among the most beloved of modern improvising composers.
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Many jazz fans hate biopic films, but critic Kevin Whitehead likes noticing which true elements get in — or get left out — as messy lives are squeezed into stock-story formulas.
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Mark Stryker covered jazz and its people for the Detroit Free Press for decades. He uses his reporter's eye and critic's ear to chronicle the musicians from the city who made their mark on the world.
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Paul Steinbeck's new book chronicles the antics, both on and off stage, of the storied jazz ensemble. Critic Kevin Whitehead says Message to Our Folks celebrates the band's success on their own terms.
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Proximity highlights the potential of the drums, while The Declaration of Musical Independence emphasizes soundscapes. Jazz critic Kevin Whitehead says Cyrille's albums are a study in contrasts.
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Oregon saxophonist Rich Halley takes inspiration from the Wallowa mountain range on his new album Crossing the Passes. On Boss of the Plains, Chicago-based trio Wheelhouse makes music that evokes the Great Plains and wind chimes on a porch when the weather changes. -
As a Japanese expatriate in Berlin, jazz pianist Aki Takase has an outsider's perspective on jazz and insider wisdom that comes from careful study. Her new album of Duke Ellington tunes reflects influences such as Thelonious Monk and Arnold Schoenberg, as well.
