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Usually around this time, Hollywood is talking about how to keep its box office momentum going. This year, January was so lackluster that studios had to jump-start moviegoing from scratch.

Ed Martin advanced bogus claims about election fraud in swing states in 2020, and he spoke at a boisterous rally in Washington the day before the siege on the Capitol.

Miley Cyrus' "We Can't Stop" as doo-wop? Scott Bradlee imagines pop music in a time machine.

There's a pumped-up sports anthem by a star cricket player, a moody Latin duet and a Malaysian song flavored with American rock, Chinese folk and Malay opera.

On Wednesday, YouTube announced it is expanding its ban on vaccine misinformation and deplatformed two prominent anti-vaccine advocates.

The Mexican singer-songwriter racked up more than 8.5 billion views globally on the platform this year.

Enzo Vizcaíno looks like a busker, strumming away on his ukulele as he roams a Barcelona metro car. But he sings of his bachelor's degree and postgrad diploma. "I'm the King of Microsoft," he croons. He's not looking for a handout. He just wants a job. And his creative approach may be paying off.

Young YouTube stars work hard to look authentic and accessible, and they can make millions of dollars doing it. But the pressure to appear perfect while living online can sometimes be too much.

Women are dominating the charts, from established singers like Taylor Swift, to newer chart topper Charli XCX.

A 16-year-old in Lakeland Fla., was beaten unconscious by six teenagers, reportedly for comments she had made on MySpace. Her attackers taped the beating, with the apparent intent of posting the video online. Rosalind Wiseman, author of Queen Bees and Wannabes, weighs in on intersection of teen girls, bullying and the digital age.